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Blue Earth Review, Issue 19, Fall 2017, p. 59-64 and Cover

Amy's painting "Arise" is featured on the cover of Blue Earth Review. Several of her paintings are also featured inside the issue.

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Maclean, Tim. "Amy Guidry- What the Future May Hold- Artist Interview." Wow x Wow, September 5, 2017

"Whether approaching us with subliminal suggestions or hitting us hard with her intentions, Guidry’s imagery never fails to leave lasting impressions which engage us both emotionally and on a deeply cerebral level. Mixing photorealism with the surrealistic language of dreams, Guidry’s highly effective and immensely personal symbolism is conveyed with sophistication, which elevates its potency and sensitivity."

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The Current, June/July 2017, Cover

Amy's painting "Sustain" is featured on the cover of The Current

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Gannon, Patricia. “Apocalypse Now: Amy Guidry`s Art Speaks of Her Fears for the Planet.” The Advocate, April 10, 2017

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van Meijel, Lobke. “Kunst Met Een Diervriendelijke Missie.” VEGAN Magazine, Spring 2017: 10-12 and Cover

Amy's painting "Exposed" is featured on the cover of the Netherland magazine, VEGAN. Additional works are featured inside as well as an interview (in Dutch).

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"Amy Guidry`s Surreal Paintings Touch on Life, Death, and Nature" Andy Smith, Hi-Fructose Magazine, February 15, 2017

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Minetta Review, New York University, Fall 2016, Cover

Amy's painting "The Wild West" featured on the cover of the Minetta Review.

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Clawson, Michael. "Amy Guidry: Strange Worlds." American Art Collector Magazine, September 2016: 102-103

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"4 Vegan Lifestyle Leaders : Influential People You Should Know" by Jamie Duncan, Ecosalon, July 11, 2016

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The Journal: A Literary Magazine, Summer 2016, Issue 40.3: 46-56 and Cover

Amy's painting "Vital" was featured on the cover of The Journal. Several of her paintings are featured inside the magazine as well as an interview with Suzannah Showler.

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Denver Quarterly, Volume 50, Number 4, Summer 2016, Cover

Amy's painting "Preservation" was selected for the cover of the latest issue of the Denver Quarterly.

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Art Galleries & Artists of the South Magazine, Volume 13, Issue 2, May/June 2016

Amy's painting "Integral" was featured as part of a spread about LeMieux Galleries in New Orleans in anticipation of her upcoming exhibit.

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"Startle Pattern" by Larissa Szporluk, Willow Springs Editions, Cover

Amy's painting "Passage" was featured on the cover for the latest collection of poetry by American poet Larissa Szporluk.

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"Surreal Reality: Life, Death, and Veganism on Canvas" by Maria Chiorando, Vegan Life Magazine, November 2015, p. 102-105

Vegan Life Magazine in the UK recently interviewed Amy about her work for their November 2015 issue.

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Cimarron Review, Fall 2015, Issue 193, Cover

Amy's paintings "Shelter" and "Expatriate" were featured on the front and back covers of the Cimarron Review.

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Camas Magazine, Summer 2015, Cover

Amy's painting "Symbiotic" was featured on the cover of Camas Magazine.

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"Death Becomes Us: Why We All Need to See Death and Decay" by Carla Valentine, Huffington Post, March 19, 2015

Amy's painting "Everything's Coming Up Roses" was featured as the title image to an essay by Carla Valentine, Curator of Barts Pathology Museum in London

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"Humanness" by Rochelle Belsito, American Art Collector Magazine, October 2014, p. 146

"Dichotomies of human existence- such as life and death, and our relationship to nature- are among the topics that arise in the artwork of Amy Guidry and Jessica Goldfinch. While strikingly different in imagery and technique, the artists paint recognized subjects to convey these psychological concepts in compassionate, sensitive, and thought-provoking ways."

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"About the Artist: Surrealist Amy Guidry Depicts Nature and Humanity," Becca Cord, 008 Magazine, August/September 2014

"At first sight of Amy Guidry's masterpieces, there is an immediate sense of a deeper meaning in her work. This undoubtedly stems from Guidry's lifelong practice of using art as a 'means of communication, as well as [her] enjoyment.'"

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"Zonkey, Buried Wolves Found Among Contemporary Pieces in Dothan Art Exhibit," Peggy Ussery, Dothan Eagle, July 13, 2014

"Of the 47 pieces, there are a number of works that stand out. Amy Guidry's "The Pack" is an acrylic painting on canvas that features five wolves in a desert setting..."

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“Personal, Provocative, and Political: Magical Realism and the Art of Amy Guidry,” Lecture by Lee Gray, PhD, Curator, Paul and Lulu Hilliard University Art Museum, Oliver Hall Auditorium, April 2014

View the lecture on Youtube

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"Emerging Artists: Amy Guidry," Art Galleries and Artists of the South Magazine, Volume 11, Issue 2, p. 66

Amy was one of the seven artists selected in the Art Galleries and Artists of the South Magazine's Emerging Artist Competition.

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"Interview: Amy Guidry and Her Contemporary Surrealism," Lila Varo, Mistura Urbana, February 2014

(Translated from Portuguese) "A while ago I met the work of artist Amy Guidry. Surrealism-fan that I am, I couldn't resist the chance to have a little chat with her about their works loaded with psychological approaches."

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"Inspired Art," Laura Cooke, Veggie Bunch, 2014

"Amy Guidry is a vegan painter whose thought-provoking work looks closely at the delicate relationship between all life on this planet and the complexities of the life cycle. She took some time out to speak to us about her art."

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Dialogist, Edited by Michael Loruss, Volume I, Issue IV, January 2014

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"The Work of Artist Amy Guidry," William Kalec, Acadiana Profile Magazine, October/November 2013

"...quite frankly, Guidry’s work doesn’t blend in seamlessly when hung over a fireplace. It’s different, not for a shock, but for substance."

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"Interview #9- Amy Guidry," Gabe Wells, The Saturated Life, April 7, 2013

Interview available through iTunes.

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" 'State of the Art' now on display at Studio Montclair," Joan Finn, The Montclair Times, March 31, 2013

"Working in a wide array of media including painting, printmaking, photography, sculpture, video, and sound, these artists engage the senses and challenge the mind," stated exhibition juror Helaine Posner, senior curator of contemporary art at the Neuberger Museum of Art, at Purchase College, State University of New York."

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"The Art of Business and the Business of Art," Patricia Gannon, L Magazine, Spring 2013

"Both New Realm and In Our Veins are long narratives of thier own and each pertains to a single idea: strong, independent women challenging traditional myths, and the environmental relationship between human and other."

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Amy Guidry, Editor Evan La Ruffa, IPaintMyMind, February 2013

"Regardless of the ethos, which isn't always as obvious as some onlookers hope for, we find Amy's work pushes the boundaries of logic in various valuable directions. Art should provoke, and she certainly does."

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"The Awakening: Amy Guidry," Lesley Frenz, Artsy Forager, December 2012

"In her New Realm series, Louisiana artist Amy Guidry weaves a new kind of story, as surreal as any myth yet grounded in modern strength."

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"Amy Guidry," Fine Line Magazine, November 2012

"Awesome, surrealist paintings by Louisiana artist Amy Guidry. Through her series "In Our Veins", Guidry explores themes of life, death and our relationships to each other and the natural world."

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"Spotlight: Surrealist Painter, Amy Guidry," Ruthie Holloway, Beautiful Crime, July 24, 2012

"Balancing on the edge of both photorealism and pop surrealism, American artist, Amy Guidry paints nature with an intricate hand and an inventive mind. Drawing on various influential subject matter as varied as dreams and C.S. Lewis novel characters, Guidry's world of strange, human-like and captivating characters of animals lends the viewer an unusual insight in to her surrealist yet photorealist painted world – check out the skeletal characters contrasted with the intricately painted rock formations as testament."

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"Beauty and the Beasts in the New Realm," Reggie Michael Rodrigue, louisianaesthetic, July 22, 2012

"...Despite all these correspondences, Guidry isn't just repeating history, however. There's a new sensibility to these paintings that probably could not have been registered in Tanning's world of the 1940's. Whereas, Tanning painted herself and her heroines in slightly ominous domestic settings, Guidry paints herself in a forest of birch trees floating in a white void. In symbolic terms, Guidry has created a tabula rasa ready for a new investigation into what it means to be a Western woman in the 21st Century."